The Journal of Provincial Thought |
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luminance | |||||||||||
The Readers Cry Out | ||||||||||||
Any time we can scoop Bigger Homes and Gardens, hey let's rock. Here, Brian's wife Julie shows off Brian's Nor'western garden for him. Brian himself, the old serpent, has slithered out of the picture. W'y he do dat—he 'shame? |
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all in a stew
jpt Editors, Yes, but we see the work as an examination of the Universal Condition, wherein man metaphorically jiggy-wiggies with his foundation (the fertile earth) while a dire mole named Mr. Mole qua Fate schemes to steal the dumplings. This is what you must see. —ed. Dear Editor, Observe how subtly the dark side of children's natures is exploited and reinforced for a result desired by the manipulator ["Mr. Mole and the Little Old Lady," Issue 15.] The stew is forbidden. FORBIDDEN! And properly so. That mole has no right to it. Granny owes him nothing. The mole is a low-life thief. But when he smells those delicious turnips, when he slurps that piping-hot dumpling into his sh*t-wicked mouth, the kiddies envy that experience. Their vicarious savoring—to smell what he smells, to taste what he tastes, word by skillful word, image by titillating image—is an exhilarating circumvention of punishment. Lay the blame on the mole while hijacking his sensory payload, themselves become the Naughty One by proxy, with no fear of judgment, no conviction, no whack from the Little Old Lady's broom. Then slurp! from idea to edacious actualization—their own bowls of steaming stew become final fulfillment for a manufactured craving. It's much the way television's crime-drama entertainment plays out. Viewers are treated to rapes, murders, mutilations and mayhem from the comfy couch, until those willing to expend some energy take to the street for ultimate satisfaction. Of course the industry denies it. Protect the business model. Now all that said, conceivably the children just want to foil that villain and get that delicious stew into all the right bellies, maybe so. Therefore never mind (I suppose). —L.B. I see, I see. —ed. ________________________________________________ To the Journal of Provincial Thought, Mmm-hmm. —ed. ________________________________________________ Dear jpt, False pretenses-- much worse than true pretenses. —ed. ________________________________________________ Subject: MFSOs We were more or less tracking, up to the "sailor DNA" and "liquidation" passages. Maybe a reader can help us out. —ed. ________________________________________________ Hey Fondlegod, I know you are but so am I? —FBF ________________________________________________ Dear Editors, Ever tried calling to Dirk's dogs to get them all stirred up? You'll have to keep at it a while, for Dirk can't half hear. Or did you know that, too? —ed. ________________________________________________ Dear jpt Editors, "... galaxies form a pattern of distribution that I submit is not random. . ." An intriguing supposition for which I would like to hear the detailed explanation. If this is true, there are two competing systems of possibility. In one, an orderly or patterned distribution of galaxies indicates intelligent design. In the other, a) ordered patterns often arise in nature due to the mathematically describable way in which quanta of energy and matter interact, and b) there can be ordered subsets within a greater randomized system (as, for example, where one constructs a particular sequence of three amino acids and then randomly casts these organized groups upon the sea) or vice-versa (as where one fixes amino acids randomly in three-member groups and then bundles these groups in statistically indistinguishable bundles within an organized structure). I suppose that Professor Loose would not view the possibilities as incompatible. After all, the God he describes works in scientifically verifiable ways. The Professor is absolutely correct in emphasizing that animals do have feelings. To any pet owner (especially true regarding dogs and cats) this is obvious-- and it is NOT anthropomorphizing or reaching in any way. They display simple, overt emotion in response to stimulus or situation: trepidation, guilt, sorrow, joy. Also they exhibit more subtle mood-behavior for which the cause is often discoverable or logically deducible. —R.Z. ________________________________________________ ed. note: Discussions of The Book of Wine and Seizures are largely being siphoned into a separate compilation instead of appearing in this forum. However, this open reply to Jay Anderson and ilk: ________________________________________________ The good doctors is all IN |
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