The Journal of Provincial Thought |
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A message from Martha Q. Schafer, received 8/25/2009 | ||||||||||||
William John Schafer - September 18th, 1937 to August 17th, 2009 | ||||||||||||
Died at 4:21 AM, Monday, September 17, 2009. Bill had driven us from Berea, Kentucky, to [son] Richard and Lisse’s home near Madison, Georgia, arriving Friday, August 14. We planned a weekend visit with Richard, Lisse, Michael (20) and Robert (18). On Monday, August 17th, we were going to fly to England to visit the Rutherfords: [daughter] Amelia, Simon, William (6), and Fred (almost 3). The evening of our arrival in Georgia Bill developed intense pain and we drove him to the small hospital in Madison. He was given medicine for pain but the emergency staff was unable to determine the cause. The doctor said she had never seen such a degree of abdominal pain in her entire career. Early Saturday morning Bill was transferred by ambulance to Athens Regional Medical Center. A number of strategies were applied and the pain level was reduced although his condition continued to deteriorate. Stress, pain and morphine made him very confused and that brilliant, humorous man never regained intellectual contact with us. At 2 PM on Sunday, Bill was taken for exploratory surgery. He was only in surgery for 20 minutes as the surgeon immediately determined that Bill’s condition was terminal. He had had a bowel infarction (technically a stroke of the bowel). Probably several days before we left home a tiny blood clot had lodged in the mesentery artery that keeps the bowel alive. The entire bowel was necrotic. The surgeon said that by the time the intense pain began there was no chance of survival. We learned long ago that “no extreme measures” isn’t enough. One must ask for “nurse for comfort.” We had all support medications, respiration tube and restraints removed leaving only a hydration drip through which pain medicine could be delivered. At about 12:30 AM the last morphine dose was administered. Around 3 AM Bill’s numbers began to go down. Both Richard and I were at his side when all the fires went out. Bill was cremated on August 18th. There will be no formal memorial service although groups of Bill’s friends are planning small, informal get-togethers to tell funny Bill stories of which there are many. The family will have a tree with a small brass plate planted somewhere on the Berea College campus. I’m sorry to have to inform you in this way. For the first time in our travels I purposely left our address at home (in a vain effort to stop obsessing), so I have only a few telephone numbers with me. Many people have helped by seeing or phoning people who need to know. |
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friends | ||||||||||||
(ellipses are editorial) | ||||||||||||
![]() With friendly wishes, Lawrence Jones |
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William J. Schafer Obituary
By
William J. (Bill) Schafer, who died suddenly and unexpectedly in his seventy-second year in late August, had several homes away from home, and Bill and Martha first came to That ‘sustained burst of enthusiasm’ was typical of Bill. Beneath his usually quiet surface an intensely creative mind and imagination expressed itself in critical and historical writing, fiction, music (he was an excellent jazz drummer), the visual arts, and woodworking. The week before his death Martha sent photos of some weird and wonderful garden sculptures and of a series of paintings of old |
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Music for Bill and Martha Schafer | ||||||||||||
Two Songs Martha Wanted Played:
1. ‘Ready for the River’ – Jimmie Noone (clarinet), Joe Poston (alto sax), Going to drown my troubles, Made my will, wrote some notes, I said I’m ready for the river, 2. ‘My Buddy’ – Stan Getz (tenor sax), Jimmy Rowles (piano and vocal), Buster [All} Nights are long since you went away. I miss your voice, the touch of your hand, A Song Bill Wrote About: ‘Deep Creek’ – Jelly Roll Morton (piano), Edwin Text: William J. Schafer, The Original Jelly Roll Blues ( |
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'Deep Creek' is a study in slowly rising sublimity, an exquisitely slow blues – almost static in passages – and drenched with melancholia, the deepest kind of lyrical blues ('blues without words', like Schumann's 'songs without words'), as its title implies. It defines a subterranean stream of feeling that ripples for three-and-a-half minutes and then disappears into silence. The tune itself is imbued with profound silences – pauses and gaps in the texture that are as significant as the musical sound itself. As visual art – drawings and paintings – can be defined by 'positive and negative' space, what is inside the outline and what is outside the outline, so 'Deep Creek' defines itself by the way it fills silence and silence fills it. . . | ||||||||||||
![]() But we must be grateful for having had any experience of his remarkable being.
He would have enjoyed the planned holiday in Dorset. |
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Copyright 2009- WJ Schafer & WC Smith - All Rights Reserved | ||||||||||||